000 03808cam a22003858i 4500
001 21984040
003 OSt
005 20240226062233.0
008 210407s2022 nyu b 001 0 eng
010 _a 2021014789
020 _a9780367417772
_q(hardback)
020 _a9780367417697
_q(paperback)
020 _z9780367816193
_q(ebook)
040 _aDLC
_beng
_erda
_cDLC
042 _apcc
050 0 0 _aHV6018
_b.V57 2022
082 0 0 _a364.072
_223
245 0 0 _aVisual criminology :
_bfrom history and methods to critique and policy translation /
_cedited by Johannes Wheeldon.
263 _a2109
264 1 _aNew York, NY :
_bRoutledge,
_c2022.
300 _axxv,306pages;
_c25cm
336 _atext
_btxt
_2rdacontent
337 _aunmediated
_bn
_2rdamedia
338 _avolume
_bnc
_2rdacarrier
500 _aIncludes index.
504 _aIncludes bibliographical references and index.
520 _a"This edited collection captures the expertise of scholars from the US, the UK, Australia, and Canada to catalog the rise in visual approaches in criminology. It presents examples of visual methods, uses, and approaches in criminology; assesses the potential for new graphic approaches to collect, analyze, and present data; and provides some analysis of the use of images in teaching, to spur social critique, and guide policy translation. The collection visually connects theory and practice by highlighting the work of criminologists who have embraced the visual turn. Contributors explore the use of cognitive maps, concept and mind maps, life history calendars, CCTV, life plots, GIS and hot spot research, policy graphs, visual abstracts and research summaries, and other visual tools in the context of criminology. Approaches building on visual sociology are also featured, including a discussion of developments in documentary photography and film, visual ethnography, and sensory phenomenology. The book is organized thematically, with each chapter following logically upon the last, introducing readers to a variety of visual approaches and their application in criminology. The goals of this collected volume are three-fold. The first is to highlight how the visual has been used in criminology historically to present data, contest meaning and complicate social control, and make more transparent the research process. The second is to work toward some sort of definitional consistency. While a worthy endeavor, this remains elusive given the assortment of uses and varying traditions from which visual criminology has emerged. The third is to try to think clearly about the role of humility. This means a willingness to acknowledge an epistemological framework and note the variety of limitations associated with trying to understand in deep and meaningful ways. For visual criminology specifically, it involves the recognition that part of the power of images (whatever their construction), comes from whether we think they are beautiful or whether and/or to what extent they disrupt our understanding in one way or another. This interdisciplinary book will be of interest to criminologists, sociologists, visual ethnographers, historians and those engaged with media studies. It is a valuable supplementary text for courses in introductory criminology and criminal justice, criminological theory, research methods, and other upper-level and senior capstone courses"--
_cProvided by publisher.
650 0 _aCriminology
_xResearch
_xMethodology.
650 0 _aCriminology
_xGraphic methods.
700 1 _aWheeldon, Johannes,
_eeditor.
776 0 8 _iOnline version:
_tVisual criminology
_dNew York, NY : Routledge, 2022
_z9780367816193
_w(DLC) 2021014790
906 _a7
_bcbc
_corignew
_d1
_eecip
_f20
_gy-gencatlg
942 _2ddc
_cBK
_n0
999 _c6108
_d6108